From then on, I went in the two directions which have become my “specialties”: big French comedies that are wicked hard to subtitle and never seen overseas and auteur films. Someone at the subtitling lab thought I was good at it and I started getting some crappy movies until the year I subtitled both Jean-Marie Poiré’s The Visitors -a hugely successful French comedy spoken in faux old French-and Krzysztof Kieślowski’s Three Colours: Blue. Chahine’s English, like his French, was very good but very 1940-50s Alexandria-a mishmash of Shakespearean English, British colonial English, Italian, Greek and Arabic. Chahine asked me if I would reread the subtitles he had himself written for his 1989 film Alexandria Again and Forever. Some misbegotten form of mastery, I don’t know.Īs for my approach to the cinema world, when I moved to Paris after graduating in college in 1987, I rented a house from a couple of Egyptians who introduced me to filmmakers Yousry Nasrallah and Youssef Chahine.
It also may be why I can’t really appreciate a movie until I’ve subtitled it. This may be one of my connections to Claire Denis but I never thought about it till now. So I guess I was always drawn toward forbidden, transgressive stuff, stuff over my head. I must have seen Stavisky… by Alain Resnais and Mr. That’s when I started seeing French movies too. It was only when cable TV and VCRs came to the States, around 1976, that I was able to watch all those movies I wasn’t allowed to see in theaters: A Clockwork Orange, Lenny, Providence, Nashville, Chinatown. Yes, I was a cinephile from a very early age but I remember more the movies I wasn’t allowed to see- A Woman Under the Influence or Cabaret -in 1972 or 73, when I was 8 or 9, than the ones I was allowed to see back then: Oliver, Tom Sawyer, etc. Were you a cinephile your whole life? How did you first approach the cinema world?
Litvack here details the give-and-take with filmmakers that is involved with subtitles, as well as reflecting on his practice. He also interviewed Andrew Litvack, who has subtitled for Jean-Luc Godard and Olivier Assayas.
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